Across the universe lyrics

Across the universe lyrics DEFAULT

"Across The Universe" lyrics

The Beatles Lyrics

"Across The Universe"
("Let It Be" Version)

Words are flowing out like endless rain into a paper cup
They slither while they pass, they slip away across the universe
Pools of sorrow waves of joy are drifting through my opened mind
Possessing and caressing me

Jai guru deva om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Images of broken light which dance before me like a million eyes
They call me on and on across the universe
Thoughts meander like a restless wind
Inside a letter box they
Tumble blindly as they make their way
Across the universe

Jai guru deva om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Sounds of laughter shades of life are ringing
Through my open ears inciting and inviting me
Limitless undying love which shines around me like a million suns
And calls me on and on across the universe

Jai guru deva om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Jai guru deva
Jai guru deva
Jai guru deva
Jai guru deva
Jai guru deva
Jai guru deva...



Submit Corrections

Writer(s): Lennon John Winston, McCartney Paul James

John Lennon penned this song after an argument with his wife Cynthia, when he got angry and couldn't fall asleep.

"Jai Guru Deva Om" is a mantra in Sanskrit used in meditations. "Guru Dev" is another name of Swami Brahmananda Saraswati, who was the teacher of Maharishi Mahesh Yogi, who—in turn—was the guru to The Beatles.

David Bowie recorded this song with John Lennon on guitar and included it on his album "Young Americans" (1975).

Liam Gallagher (Oasis) was greatly inspired by this song and The Beatles as a whole, so that he began to write songs.

Sean Lennon performed this with Moby and Rufus Wainwright at John Lennon tribute concert at Madison Square Garden in 2001.

In order to celebrate NASA's 50th birthday and the 40th anniversary of "Across The Universe" NASA transmitted this song into space in the direction of Polaris on the 4th of February 2008.

Sours: https://www.azlyrics.com/lyrics/beatles/acrosstheuniverse.html

Across the Universe Lyrics - The Beatles

Home   |   The Beatles    |   Across the Universe

The Beatles Let It Be cover art
×
Credits
publisher: ©Sony/ATV Music Publishing LLC
writers: John Lennon, Paul Mccartney
release date: 1970-5-8
genres: Rock Pop
styles: Pop Rock/Classic Rock/Psychedelic Rock/Beat/Blues Rock
length: 3:47
producer: Phil Spector
piano: Paul McCartney
lead vocals: John Lennon
acoustic guitar: John Lennon
maracas: Ringo Starr
tambura: George Harrison
writer: John Lennon, Paul McCartney
arranger: Lauren Scott

Words are flowing out like
Endless rain into a paper cup
They slither wildly as they slip away across the universe.
Pools of sorrow waves of joy
Are drifting through my opened mind
Possessing and caressing me.

Jai Guru Deva. Om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Images of broken light, which
Dance before me like a million eyes,
They call me on and on across the universe.
Thoughts meander like a
Restless wind inside a letter box
They tumble blindly as they make their way across the universe.

Jai Guru Deva. Om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Sounds of laughter, shades of life
Are ringing through my opened ears
Inciting and inviting me.
Limitless undying love, which
Shines around me like a million suns,
It calls me on and on across the universe

Jai Guru Deva, om.
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Jai Guru Deva
Jai Guru Deva
Jai Guru Deva
Jai Guru Deva
Jai Guru Deva




Lyrics licensed by Lyricfind.com

Sours: https://www.lyrics007.com/The%20Beatles%20Lyrics/Across%20The%20Universe%20Lyrics.html
  1. Travis county arrest records
  2. Hp 2000 boot from cd
  3. 5 star golf mat

Across The Universe Lyrics

by Fiona Apple

Words are flowing out like endless rain into a paper cup,
They slither wildly as they slip away across the universe
Pools of sorrow, waves of joy are drifting through my opened mind,
Possessing and caressing me
Jai guru de va om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Images of broken light which dance before me like a million eyes,
They call me on and on across the universe,
Thoughts meander like a restless wind inside a letter box they
Tumble blindly as they make their way
Across the universe
Jai guru deva om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

[ Lyrics from: http://www.lyricenter.com/e10322-fiona_apple~across_the_universe_lyrics.html ]
Sounds of laughter, shades of earth are ringing
Through my open ears inciting and inviting me
Limitless undying love which shines around me like a
million suns and calls me on and on
Across the universe
Jai guru deva om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Jai guru deva <i>[Repeat to fade]

Sours: http://www.lyricenter.com/e10322-fiona_apple~across_the_universe_lyrics.html
Fiona Apple - Across The Universe (Official Music Video With Lyrics!)

Across the Universe

1969 song by the Beatles

This article is about the song by the Beatles. For other uses, see Across the Universe (disambiguation).

"Across the Universe" is a song by the English rock band the Beatles. It was written by John Lennon and credited to Lennon–McCartney. The song first appeared on the 1969 various artists' charity compilation albumNo One's Gonna Change Our World and later, in a different form, on their 1970 album Let It Be, the group's final released album. The original version was compiled on two different albums both titled Rarities : a 1978 British release and a 1980 US release. It was also compiled on their 1988 album Past Masters, Volume Two. The song has been covered by many artists, including David Bowie on his 1975 album Young Americans, which featured contributions from Lennon.

Composition[edit]

One night in 1967, the phrase "words are flowing out like endless rain into a paper cup" came to Lennon after listening to the voice of his then-wife Cynthia.

I was lying next to my first wife in bed, you know, and I was irritated, and I was thinking. She must have been going on and on about something and she'd gone to sleep and I kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into a sort of cosmic song rather than an irritated song, rather than a "Why are you always mouthing off at me?" [The words] were purely inspirational and were given to me as boom! I don't own it you know; it came through like that.

The flavour of the song was heavily influenced by Lennon's and the Beatles' interest in Transcendental Meditation in late 1967 – early 1968, when the song was composed. Based on this, he added the mantra "Jai gurudevaom" (Sanskrit: जय गुरुदेव ॐ) to the piece, which became the link to the chorus. The Sanskrit phrase is a sentence fragment whose words could have many meanings. Literally it approximates as "glory to the shining remover of darkness"[4] and can be paraphrased as "Victory to God divine", "Hail to the divine guru", or the phrase commonly invoked by the late Maharishi Mahesh Yogi in referring to his spiritual teacher, "All glory to Guru Dev".[5]

The song's lyrical structure is straightforward: three repetitions of a unit consisting of a verse, the line "Jai guru deva om" and the line "Nothing's gonna change my world" sung four times. The lyrics are highly image-based, with abstract concepts reified with phrases like thoughts "meandering", words "slithering", and undying love "shining". The title phrase "across the universe" appears at intervals to finish lines, although it never cadences, always appearing as a rising figure, melodically unresolved. It finishes on the leading note; to the Western musical ear, the next musical note would be the tonic and would therefore sound complete.

In his 1970 interview with Rolling Stone, Lennon referred to the song as perhaps the best, most poetic lyric he ever wrote: "It's one of the best lyrics I've written. In fact, it could be the best. It's good poetry, or whatever you call it, without chewin' it. See, the ones I like are the ones that stand as words, without melody. They don't have to have any melody, like a poem, you can read them."[6]

Musical structure[edit]

On a standard-tuned guitar (EADGBE) the song is played in the key of D; however, the recording was slowed electronically, resulting in a lower C# tuning to the ear. The verse beginning "Words are flowing out" (I (D) chord) is notable for a prolonged vi (Bm)–iii (F#m) to ii7 (Em7) minor drop to the dominant chord V7 (A7) on "across the universe" in the 4th bar. On the repeat of this chord sequence a turn following the ii7 (Em7) through a iv minor (Gm) brings the verse to a close before moving on directly to the tonic on the "Jai Guru Deva Om" refrain. The vi–ii minor drop leading to V had been used earlier in "I Will" (on "how long I've loved you") and George Harrison utilised a shorter vi–iii minor alternation to delay getting back to the dominant (V) in "I Need You". The verse beginning "Words are flowing out like endless rain ..." is also notable for the suitably breathless phrasing and almost constant 8th-note rhythm (initially four D melody notes, then C#, B, A, B).

Recording and version history[edit]

Date Activity
4 February 1968 Takes one–two and four–seven recorded. Overdub onto take seven. Reduction into take eight. Overdub onto take eight. Sound effects on takes one–three.
8 February 1968 Overdub onto take eight. Mono mixing from take eight.
January 1969 Overdubs onto take eight. Mono mixing from take eight. Version planned for the album No One's Gonna Change Our World.
2 October 1969 Bird sounds overdubbed onto take eight. Stereo mixing from take eight. Version released on the album No One's Gonna Change Our World and later on Past Masters.
5 January 1970 Stereo mixing from take eight. Version to have been released on 5 January Get Back album.
23 March 1970 Stereo mixing from take eight.
1 April 1970 Reduction into take nine. Orchestral and choral overdubs onto take nine.
2 April 1970 Stereo mixing from take nine. Version released on the Let It Be album.

February 1968 recordings[edit]

In February 1968, the Beatles convened at the EMI Abbey Road studios to record a single for release during their absence on their forthcoming trip to India. Paul McCartney had written "Lady Madonna", and Lennon had "Across the Universe". Both tracks were recorded along with Lennon's "Hey Bulldog" and the vocal track for Harrison's "The Inner Light" between 3 and 11 February.

The basic track was taped on 4 February. Along with acoustic guitar, percussion and tambura, it featured an overdubbed sitar introduction by Harrison. Two teenage fans, Lizzie Bravo and Gayleen Pease, were invited in off the street to provide backing vocals.[16]

Lennon was still not satisfied with the feel of the track, and several sound effects were taped, including 15 seconds of humming and a guitar and a harp-like sound, both to be played backwards; however, none of these were used on the released version. The track was mixed to mono and put aside as the group had decided to release "Lady Madonna" and "The Inner Light" as the single. On their return from India, the group set about recording the many songs they had written there, and "Across the Universe" remained on the shelf. In the autumn of 1968, the Beatles seriously considered releasing an EP including most of the songs for the Yellow Submarine album and "Across the Universe", and went as far as having the EP mastered.

World Wildlife Fund version[edit]

During the February 1968 recording sessions, Spike Milligan dropped into the studio and, on hearing the song, suggested the track would be ideal for release on a charity album he was organising for the World Wildlife Fund. At some point in 1968, the Beatles agreed to this proposal. In January 1969, the best mono mix was remixed for the charity album. In keeping with the "wildlife" theme of the album, sound effects of birds were added to the beginning and end.[17] The original (mono) mix from February 1968 is 3:37 in length. After the effects were added, the track was sped up so that even with 20 seconds of effects, it is only 3:49. Speeding up the recording also raised the key to E-flat.[17] By October 1969, it was decided that the song needed to be remixed into stereo. This was done by Geoff Emerick immediately prior to the banding of the album. "Across the Universe" was first released in this version on the Regal Starline SRS 5013 album No One's Gonna Change Our World in December 1969.

This version was issued, in its stereo form, on four Beatles compilation albums: the British version of Rarities, the different American version of Rarities, The Beatles Ballads, and the second disc of the two-CD Past Masters album, released in 1988. The January 1969 mono mix, which had been considered for an aborted Yellow Submarine EP, was finally released on Mono Masters, part of The Beatles in Mono box set, in 2009.

Let It Be version[edit]

The Beatles took the song up again during the Get Back/Let It Be rehearsal sessions of January 1969; footage of Lennon playing the song appeared in the Let It Be movie. Bootleg recordings from the sessions include numerous full group performances of the song, usually with Lennon–McCartney harmonies on the chorus. To ensure the album tied in with the film, it was decided that the song must be included on what by January 1970 had become the Let It Be album. Also, Lennon's contributions to the sessions were sparse, and this unreleased piece was seen as a way to fill the gap.[citation needed]

Although the song was extensively rehearsed on the Twickenham Studios soundstage, the only recordings were mono transcriptions for use in the film soundtrack. No multitrack recordings were made after the group's move to Apple Studios. Thus in early January 1970 Glyn Johns remixed the February 1968 recording. The new mix omitted the teenage girls' vocals and the bird sound effects of the World Wildlife Fund version. As neither of the Glyn Johns Get Back albums were officially released, the version most are familiar with came from Phil Spector, who in late March and early April 1970 remixed the February 1968 recording yet again and added orchestral and choral overdubs. Spector also slowed the track to 3:47, close to its original duration. According to Lennon, "Spector took the tape and did a damn good job with it".[18]

Other versions[edit]

A previously unreleased February 1968 alternate take of the song (recorded before the master), without heavy production, appeared on Anthology 2 in 1996. This is often referred to as the "psychedelic" recording because of the strong Indian sitar and tambura sound, and illustrates the band's original uncertainty over the best treatment for the song.

The February 1968 master was remixed again for inclusion on Let It Be... Naked in 2003, at the correct speed but stripped of most of the instrumentation and digitally processed to correct tuning issues.

In 2018, take 6 of the song was released on the 50th anniversary edition of The Beatles (also known as the "White Album"). This version is a bit more sparse than the Let It Be... Naked version and lasts 15 seconds longer.

Later reflections[edit]

Lennon was unhappy with the song as it was recorded. In his 1980 Playboy interview, Lennon says that the Beatles "didn't make a good record of it" and says of the Let It Be version that "the guitars are out of tune and I'm singing out of tune ... and nobody's supporting me or helping me with it and the song was never done properly". He further accused McCartney of ruining the song:

Paul would … sort of subconsciously try and destroy a great song … usually we'd spend hours doing little detailed cleaning-ups of Paul's songs; when it came to mine … somehow this atmosphere of looseness and casualness and experimentation would creep in. Subconscious sabotage.

Personnel[edit]

No One's Gonna Change Our World / Past Masters version:

Let It Be version:

Let It Be ... Naked version:

Anthology 2 version:

"White Album" Anniversary Edition version:

Production

  • George Martin – producer (original 1968 version)
  • Phil Spector – producer (1970 version)
  • Ken Scott, Martin Benge – engineers (original 1968 version)
  • Jeff Jarratt – remix engineer (1969 No One's Gonna Change Our World version)
  • Peter Bown, Mike Sheady – recording & remix engineers (1970 Let It Be version)
Personnel per Ian MacDonald

Elements of the performance recorded on 8 February 1968 were replaced by an orchestra and choir recorded on 1 April 1970.

Critical reception and legacy[edit]

Music critic Richie Unterberger of AllMusic said the song was "one of the group's most delicate and cosmic ballads" and "one of the highlights of the Let It Be album".

Music critic Ian MacDonald was critical of the song, calling it a "plaintively babyish incantation" and saying "its vague pretensions and listless melody are rather too obviously the products of acid grandiosity rendered gentle by sheer exhaustion".

NASA transmission[edit]

On 4 February 2008, at 00:00 UTC, NASA transmitted the Interstellar Message "Across the Universe"[27] in the direction of the star Polaris, 431 light years from Earth. The transmission was made using a 70m antenna in the Deep Space Network's Madrid Deep Space Communication Complex, located outside of Madrid, Spain. It was done with an "X band" transmitter, radiating into the antenna at 18 kW. This was done to celebrate the 40th anniversary of the song's recording, the 45th anniversary of the Deep Space Network (DSN), and the 50th anniversary of NASA. The idea was hatched by Beatles historian Mark Lewisohn, who encouraged all Beatles fans to play the track as it was beamed to the distant star. The event marked the first time a song had ever been intentionally transmitted into deep space, and was approved by McCartney, Yoko Ono, and Apple Corps.

Cover versions[edit]

David Bowie version[edit]

"Across the Universe" was covered by English singer-songwriter David Bowie in 1975 on his ninth studio album Young Americans. He recorded his cover at Electric Lady Studios in New York City in January 1975, on the same day as "Fame". A blue-eyed soul reworking, his cover is notable for featuring Lennon on guitar and backing vocals. Reflecting on his contribution, Lennon later said: "I thought, great, because I'd never done a good version of that song myself. It's one of my favourite songs, but I didn't like my version of it." Bowie concurred, calling the Beatles' original version "very watery" and wanting to "hammer the hell out of it."

Bowie's cover of "Across the Universe" has received predominantly negative reviews from music critics and biographers. Douglas Wolk of Pitchfork calls it "the album's one genuine embarrassment, Vegas-y and bathetic."[33] Biographer Chris O'Leary agrees, calling it "one of his most utterly tasteless recordings." Author Peter Doggett similarly describes it as "bombastic", "mannered" and a "bizarre way of impressing Lennon." Despite being generally regarded as one of Bowie's low points in his "golden years", biographer Nicholas Pegg gave the recording a positive review, calling it "exquisitely beautiful".

Personnel[edit]

According to biographer Chris O'Leary:

Fiona Apple version[edit]

"Across the Universe" was also recorded by American singer-songwriter Fiona Apple. The track was recorded and released in 1998 as part of the Pleasantville motion-picture soundtrack. The track was produced by Jon Brion, who worked as instrumentalist on Apple's debut album Tidal and would produce tracks for her When the Pawn... and Extraordinary Machine. A music video directed by filmmaker Paul Thomas Anderson was also released accompanying the track. Anderson was Apple's boyfriend at the time and also directed the music videos for her tracks "Fast as You Can" and "Hot Knife". Anderson's longtime collaborator and friend, actor John C. Reilly, makes an appearance in the video.[36]Pitchfork named it Apple's best cover, highlighting how it suits the film.[37]

Other versions[edit]

Laibach recorded a cover of "Across the Universe" as part of their covering of the Let It Be album in 1988.

10cc released a version of the song on the 1993 Alive live album.

In 2002, Rufus Wainwright recorded a cover version for the film I Am Sam.[38]

In 2005, Velvet Revolver featuring Stevie Wonder performed it during the 47th Grammy Awards. The musicians included Billie Joe Armstrong, Bono, Norah Jones, Alicia Keys, Alison Krauss on fiddle, Tim McGraw, Slash playing 12-string guitar, Steven Tyler, Brian Wilson, and Stevie Wonder on lead vocals and harmonica. The performance was recorded as a tribute to the 2004 tsunami victims. It was released on 13 February 2005 and debuted at number 22 on the Billboard Hot 100 chart as a digital download.[39]

In 2011, Beady Eye released a cover of "Across the Universe" as a charity single available to download through their website from 04 April 2011 until 17 April 2011.[40] All proceeds from the sale of the track went directly toward the British Red Cross Japan Tsunami Appeal. The single charted at #88 in the UK.[41]

On Christmas Day of 2019, New West Records released a cover version of "Across the Universe" performed by Lily & Madeleine with the Accidentals.[42]

Rock band Evanescence released a cover as part of the deluxe version of their 4th studio album The Bitter Truth in 2021.[43]

Classical pianist Aki Takahashi worked with the composer Akemi Naito to produce a radically deconstructed version for her 'Hyper-Beatles' project.

Notes[edit]

  1. ^ abMacDonald, Ian (2002). "The Psychedelic Experience". Mojo Special Limited Edition: 1000 Days That Shook the World (The Psychedelic Beatles – April 1, 1965 to December 26, 1967). London: Emap. p. 34.
  2. ^"Learn Vedic Meditation". Introtomeditation.com. 15 February 2007. Archived from the original on 22 July 2011. Retrieved 20 August 2011.
  3. ^Woo, Elaine (6 February 2008). "Maharishi Mahesh Yogi; founded Transcendental Meditation movement". Los Angeles Times. Retrieved 24 June 2012.
  4. ^"Across The Universe". The Beatles Bible. Archived from the original on 8 August 2010. Retrieved 16 August 2010.
  5. ^Lizzie Bravo, Teenager Who Sang on Beatles Recording, Dies
  6. ^ abPollack, Alan W. "Alan W. Pollack's Notes on "Across The Universe"". rug.nl.
  7. ^"84 – 'Across the Universe'". Rolling Stone. Retrieved 16 June 2012.
  8. ^Karimi, Faith. "Will.i.am premieres song – from Mars". CNN.
  9. ^Wolk, Douglas (22 January 2016). "David Bowie: Young Americans Album Review". Pitchfork. Retrieved 5 September 2020.
  10. ^"Revisit Fiona Apple's dreamy cover of The Beatles song 'Across the Universe'". Far Out Magazine. Retrieved 10 March 2021.
  11. ^Torres, Eric. "Fiona Apple's Best Covers". Pitchfork. Retrieved 10 March 2021.
  12. ^"100 best covers: #90 Rufus Wainwright "Across the universe"". My (life in) music lists. 6 February 2018. Retrieved 22 July 2021.
  13. ^"The Hot 100 Chart". Billboard. Retrieved 22 April 2021.
  14. ^"Beady Eye : Official Website : News". Beadyeyemusic.com. Archived from the original on 3 March 2012. Retrieved 28 February 2012.
  15. ^"Beady Eye Official Charts". Official Charts Company. Retrieved 28 February 2012.
  16. ^"Lily & Madeleine and The Accidentals – "Across The Universe" [Audio Only] [Beatles Cover]". New West Records. 25 December 2019. Retrieved 17 October 2021 – via YouTube.
  17. ^"Evanescence – The Bitter Truth (2021, CD)". Discogs. Retrieved 22 April 2021.

References[edit]

  • Doggett, Peter (2012). The Man Who Sold the World: David Bowie and the 1970s. New York, New York: HarperCollins Publishers. ISBN .
  • Everett, Walter (1999). The Beatles as Musicians: Revolver Through the Anthology. New York, NY: Oxford University Press. ISBN .
  • Howlett, Kevin (2009). The Beatles in Mono (booklet). The Beatles. Apple Records.
  • Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN .
  • Lewisohn, Mark (1996). Anthology 2 (booklet). The Beatles. London: Apple Records.
  • MacDonald, Ian (2005). Revolution in the Head: The Beatles' Records and the Sixties (Second Revised ed.). London: Pimlico (Rand). ISBN .
  • "NASA Beams Beatles' 'Across the Universe' into Space". NASA. 31 January 2008.
  • "NASA beaming Beatles tune to the stars". NBC News. 1 February 2008. Retrieved 26 November 2009.
  • O'Leary, Chris (2015). Rebel Rebel: All the Songs of David Bowie from '64 to '76. Winchester: Zero Books. ISBN .
  • Pedler, Dominic (2003). The Songwriting Secrets of the Beatles. Music Sales Limited. Omnibus Press. NY. ISBN .
  • Pegg, Nicholas (2016). The Complete David Bowie (Revised and Updated ed.). London: Titan Books. ISBN .
  • Sheff, David (2000). All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono. New York: St. Martin's Press. ISBN .
  • Unterberger, Richie (2009). "Review of 'Across the Universe'". AllMusic. Retrieved 26 November 2009.
  • Willman, Chris (29 November 2006). "Labor of LOVE". Entertainment Weekly. Retrieved 29 November 2006.

Further reading[edit]

  • Lewisohn, Mark (1996). The Complete Beatles Chronicle. Chancellor Press. ISBN .
  • Sulpy, Doug; Schweighhardt, Ray (2003). Get Back: The Beatles Let It Be Disaster. Helter Skelter Publishing. ISBN .

External links[edit]

Wikiquote has quotations related to: Let It Be
Sours: https://en.wikipedia.org/wiki/Across_the_Universe

Lyrics across the universe

No, what are you. It's very challenging. I may not like him at all. I haven't seen him.

Fiona Apple - Across The Universe (Official Music Video With Lyrics!)

The UFO shuddered and went towards me. I pulled the trigger again. The beam entered the UFO and it began to fall apart. I didn't release the trigger until the alien ship became a cloud of glowing dust, which the wind carried into the depths of the forest.

Then I rushed to Lily, freed her from the fetters and, picking her up in my arms, carried her to the old bathhouse.

Similar news:

Drown him in her caresses herself. Their desires matched. Even on the shore, he melted, feeling the warmth of her skin, the silk of her hair and the careful timid touch of tender lips on his chest. Passion grew in him, enveloping his body in hot storm waves. When Duvall, taking off his clothes, was next to Anna on the bed, she was already undressed.



2460 2461 2462 2463 2464